Using the original 1964 Capitol Records mono masters, new lacquers were cut all-analog by Kevin Reeves at Nashville’s East Iris Studios. By constantly referring to the original first pressing, the album is faithful to the original release while also enabling more musical information to be heard than was possible before.It was made using a Studer A80 master recorder with analog preview & program paths, and a Neumann VMS70 cutting lathe originally installed in Capitol Studios in 1971.
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